When you look at the world through Peanuts-colored lenses

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Some days, it seems that I cannot get far away from Peanuts, no matter what I’m doing. For example, at the moment I’m working on an article about some mid-1960s cartoon books about Jewish women who run brothels. Really, there’s more than one of these – at least six. It was a thing. And in doing so, I reference the 1964 movie that likely inspired them, A House is Not a Home, starring Shelley Winters in the adaptation of Jewish madam Polly Adler’s 1953 autobiography. And there in the cast list is Kaye Ballard… the comedienne who recorded an album of Peanuts humor in 1962. So then I look a little more into the book the film was based on, and it was originally published in 1953. By Rinehart & Co., the publishing company that at the time was in the midst of publishing the early Peanuts books.

All roads lead to Peanuts.

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Charlie Brown, (at) All American?

There’s been a little editing back-and-forth over at Wikipedia about what is put in the “nationality” field for the various Peanuts kids. Thing is, in what is considered absolute canon — the strip itself — this question is never actually answered. Most of the time that you see the word …

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Something hatted, something hated

I’d been wondering about this for a while, so I decided to finally check the dates to see which was the inspiration and which the copy. Meanwhile, to bring us into the present moment…. artificial “intelligence”, how I hate you. Share the news!

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On the four panel status

For more than the first three decades of Peanuts, the daily strip was always four panels… well, no, that’s not quite 100% true, as I think of the August 31, 1954 daily strip of Patty jumping rope, but even that had panel breaks at the quarter, half, and three-quarter marks …