Award-winning Filth

Absolutely Filthy, the full-length Peanuts parody play that I reviewed last year, is now an award-winning Peanuts parody play, having taken three awards at this year’s L.A. Weekly Theater Awards.  The cast took the trophy (at least, I assume there’s a trophy, maybe there’s a plaque. Or a bagel.) for the best comedy ensemble, playwright/lead Brendan Hunt took the Leading Male Performance bagel for playing “The Mess”, and Anna Douglas took Female Comedy Performance for playing The Big Sister. That last award has an extra bit of impressiveness, because it faced a real risk of “vote splitting”; of the eight actresses nominated in that category, four were nominated for their work on Absolutely Filthy.

After the show’s initial run, there were a handful of performances done last year as part of a theater festival; I haven’t seen any sign of the play being brought elsewhere yet. If I do, I’ll let you know.

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Charlie Brown, (at) All American?

There’s been a little editing back-and-forth over at Wikipedia about what is put in the “nationality” field for the various Peanuts kids. Thing is, in what is considered absolute canon — the strip itself — this question is never actually answered. Most of the time that you see the word …

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Something hatted, something hated

I’d been wondering about this for a while, so I decided to finally check the dates to see which was the inspiration and which the copy. Meanwhile, to bring us into the present moment…. artificial “intelligence”, how I hate you. Share the news!

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On the four panel status

For more than the first three decades of Peanuts, the daily strip was always four panels… well, no, that’s not quite 100% true, as I think of the August 31, 1954 daily strip of Patty jumping rope, but even that had panel breaks at the quarter, half, and three-quarter marks …