{"id":5061,"date":"2018-05-11T17:44:00","date_gmt":"2018-05-12T00:44:00","guid":{"rendered":"http:\/\/aaugh.com\/wordpress\/?p=5061"},"modified":"2018-05-11T17:44:00","modified_gmt":"2018-05-12T00:44:00","slug":"when-you-look-at-the-world-through-peanuts-colored-lenses","status":"publish","type":"post","link":"https:\/\/aaugh.com\/wordpress\/2018\/05\/when-you-look-at-the-world-through-peanuts-colored-lenses\/","title":{"rendered":"When you look at the world through Peanuts-colored lenses"},"content":{"rendered":"<p>Some days, it seems that I cannot get far away from Peanuts, no matter what I&#8217;m doing. For example, at the moment I&#8217;m working on an article about some mid-1960s cartoon books about Jewish women who run brothels. Really, there&#8217;s more than one of these &#8211; at least six. It was a thing. And in doing so, I reference the 1964 movie that likely inspired them,\u00a0<em>A House is Not a Home<\/em>, starring Shelley Winters in the adaptation of Jewish madam Polly Adler&#8217;s 1953 autobiography. And there in the cast list is Kaye Ballard&#8230; the comedienne who recorded an album of Peanuts humor in 1962. So then I look a little more into the book the film was based on, and it was originally published in 1953. By Rinehart &amp; Co., the publishing company that at the time was in the midst of publishing the early\u00a0<em>Peanuts<\/em> books.<\/p>\n<p>All roads lead to Peanuts.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Some days, it seems that I cannot get far away from Peanuts, no matter what I&#8217;m doing. For example, at the moment I&#8217;m working on an article about some mid-1960s cartoon books about Jewish women who run brothels. Really, there&#8217;s more than one of these &#8211; at least six. It &hellip; <\/p>\n","protected":false},"author":1,"featured_media":5062,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","episode_type":"","audio_file":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","filesize_raw":"","footnotes":""},"categories":[6],"tags":[],"class_list":["post-5061","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/posts\/5061","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/comments?post=5061"}],"version-history":[{"count":0,"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/posts\/5061\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/media\/5062"}],"wp:attachment":[{"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/media?parent=5061"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/categories?post=5061"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/tags?post=5061"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}