{"id":2833,"date":"2014-04-10T08:45:55","date_gmt":"2014-04-10T15:45:55","guid":{"rendered":"http:\/\/aaugh.com\/wordpress\/?p=2833"},"modified":"2014-04-10T08:45:55","modified_gmt":"2014-04-10T15:45:55","slug":"award-winning-filth","status":"publish","type":"post","link":"https:\/\/aaugh.com\/wordpress\/2014\/04\/award-winning-filth\/","title":{"rendered":"Award-winning Filth"},"content":{"rendered":"<p><em>Absolutely Filthy<\/em>, the full-length Peanuts parody play that <a href=\"http:\/\/aaugh.com\/wordpress\/2013\/02\/absolutely-filthy-a-worthwhile-parody\/\">I reviewed last year<\/a>, is now an\u00a0<em>award-winning<\/em> Peanuts parody play, having taken three awards at this year&#8217;s\u00a0<a href=\"http:\/\/www.laweekly.com\/publicspectacle\/2014\/04\/07\/la-weekly-theater-awards-2014-the-winners\">L.A. Weekly Theater Awards<\/a>. \u00a0The cast took the trophy (at least, I assume there&#8217;s a trophy, maybe there&#8217;s a plaque. Or a bagel.) for the best comedy ensemble, playwright\/lead Brendan Hunt took the Leading Male Performance bagel for playing &#8220;The Mess&#8221;, and Anna Douglas took Female Comedy Performance for playing The Big Sister. That last award has an extra bit of impressiveness, because it faced a real risk of &#8220;vote splitting&#8221;; of the eight actresses nominated in that category, four were nominated for their work on\u00a0<em>Absolutely Filthy<\/em>.<\/p>\n<p>After the show&#8217;s initial run, there were a handful of performances done last year as part of a theater festival; I haven&#8217;t seen any sign of the play being brought elsewhere yet. If I do, I&#8217;ll let you know.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Absolutely Filthy, the full-length Peanuts parody play that I reviewed last year, is now an\u00a0award-winning Peanuts parody play, having taken three awards at this year&#8217;s\u00a0L.A. Weekly Theater Awards. \u00a0The cast took the trophy (at least, I assume there&#8217;s a trophy, maybe there&#8217;s a plaque. Or a bagel.) for the best &hellip; <\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"sfsi_plus_gutenberg_text_before_share":"","sfsi_plus_gutenberg_show_text_before_share":"","sfsi_plus_gutenberg_icon_type":"","sfsi_plus_gutenberg_icon_alignemt":"","sfsi_plus_gutenburg_max_per_row":"","episode_type":"","audio_file":"","cover_image":"","cover_image_id":"","duration":"","filesize":"","date_recorded":"","explicit":"","block":"","itunes_episode_number":"","itunes_title":"","itunes_season_number":"","itunes_episode_type":"","filesize_raw":"","footnotes":""},"categories":[6],"tags":[],"class_list":["post-2833","post","type-post","status-publish","format-standard","hentry","category-general"],"_links":{"self":[{"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/posts\/2833","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/comments?post=2833"}],"version-history":[{"count":0,"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/posts\/2833\/revisions"}],"wp:attachment":[{"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/media?parent=2833"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/categories?post=2833"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/aaugh.com\/wordpress\/wp-json\/wp\/v2\/tags?post=2833"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}